Showing posts with label opening. Show all posts
Showing posts with label opening. Show all posts
Production Companies
Blumhouse Productions is an American horror movie production company, founded by Jason Blum. Blumhouse produces micro- and low-budget horror movies, such as the Paranormal Activity, Insidious, The Purge, and Sinister franchises. In 2014, Blumhouse produced the Academy Award–nominated drama film Whiplash, for which Blum was nominated for the Academy Award for Best Picture.The company currently has a 10-year first-look deal with the studio Universal Pictures. Being associated with Universal Pictures as a Subsidiary allows for easier distribution and promotion of media products, as Universal is one of the largest film producers and media distributors in the world, alongside Warner Bros. and Disney, for example, which is good for low-budget horror films, such as our film opening
Here is a clip of their production company opening:
Here is a clip of their production company opening:
Rogue Pictures
Rogue Pictures is devoted to producing and distributing high-quality suspense, action, thriller, and urban entertainment with mainstream appeal and franchise potential. Its parent company, at present, is Relativity Media
Here is a clip of their production company opening:
Benderspink Productions
Previous films: The Ring, The Butterfly Effect, Insanitrarium, Kill Theory
Benderspink Producer Chris Bender and producer/manager J.C. Spink have turned Benderspink into one of the more successful hybrids in town, thanks to their solid judgment about what audiences enjoy.They produce horror films but by no means exclusive to the horror genre (summer hit We’re The Millers is one of theirs, as was Monster-In-Law, which some might consider a different kind of horror movie altogether), the company has done well by finding solid remake fare (The Ring), low budget franchise possibilities (there were two straight-to-video Butterfly Effect sequels), and high concept fare (Demeter follows the tale of the 19thcentury ship that brought Dracula to England).
Dark Castle Entertainment
Dark Castle Entertainment is an American film production company, which is a division under Silver pictures, which was affiliated with Warner Bros., now affiliated with Universal Studios. The name pays homage to a film maker named William Castle, who made horror films in the 1950s and 1960s. When formed in 1999, the company remade Castle's films as well as branching into other genres of movies. Some of its filmography include House on the Haunted Hill, Ghost ship and Thirteen Ghosts.
In 2015, Jason Blum of Blumhouse productions spoke twice to Joel Silver about doing a co-production for their parent company, Universal, to distribute, but haven't found the right project to do so. We felt that this was a good production company, however it focused more on the sub-genre of ghosts, rather than our intended psychological/slasher horror sub genre.
Here is a clip of their production company opening:
I then conducted a survey to find out which would be the most suitable production company for our film opening. I did this by showing 15 seconds of the (unfinished) film opening, and then asked which of the four production companies they thought was best.
The survey showed that 9/19 people, or 47% said that Blumhouse productions was most suitable for our film opening, which has additional benefits of promotion and distribution from its parent company Universal, if it were to premiere.
Above is a shot of the colour board in Final Cut Pro which allows me to alter the tint, exposure, and saturation of the shot.
I used it to make the shots of the meat more prominent. The first two images (top left and right) are a before and after comparison of the same close-up. The right shot is how it looked without any editing, and on the left the exposure has been decreased, and saturation brought up for the shadows and mid-tones to make the red stand out more.
In the over-the-shoulder shot, the cutting board and meat was made brighter to emphasise the action taking place. The surroundings were made darker, and a blue hue was added for a look more similar to those found in horror movies.
The shots of our masked killer were edited to give a stronger contrast on the mask itself; with more downcast shadows for a sinister and dramatic expression. The overall exposure was reduced as well as the exposure of the light coming in from the window.
The top right shot featuring the mask being grabbed was also edited to make the blood brighter.
A Clockwork Orange is a horror/ultra-violence film by Stanley Kubrick (space Odyssey) and is based on the book by Anthony Burgess.
It begins with a collision of different bright colours; blue, and reds which contrasts to the actual opening itself, followed by the title appearing after a straight cut from the other credits/colours.
The scene itself begins on the main character's (Alex) face; a fake eyelash accentuating the uneven nature of the smirk on his face, the close-up forces the audience to be in his direct eye-line for a while before the camera begins to slowly zoom out. Having read the book beforehand, I know Alex's character juxtaposes greatly with his costume when we first meet him in this scene; white clothes usually feign an innocence, but Alex is all but that, so rather than an innocence, it shows his nature to try and blame the horrific actions he carries out on the innocence his age gives him (16), and the fact that he was simply misguided. Here, we can see how costume can be used to hide a character's true nature rather than reflect it.
Alex and his 'droogs' are sat side by side on a sofa, all dressed in the same clothes showing a level of equality, or apparent equality in this case, as Alex is known the be the leader of their gang. Each of the characters have a small red accent on their clothes; Alex having two eyeballs in place of cuffs, and because they are wearing shirts and suspenders, they have a reasonable amount of 'class'. Because the background is black, it is difficult to establish their location for a while until there is a clearer shot of the whole room; the audience now know that the environment is not a normal one - littered with sexually objectifying statues/furniture of women (some of which are being used as foot rests), it already becomes an uncomfortable setting for any females in the audience. The writing on the wall is Russian (phonetic) and reflects the language used throughout, though only certain words are taken and used in substitute of common slang. The one word repeated reads 'milk' and signifies that the area they are in is a 'bar for milk', (Alex also drank some to begin with) adding some validity as to why the room is filled with statues of women - women bear milk.
Apart from the furniture's wigs and pubic hair, there is no colour in the room, and though the lights add a form of illumination, the area behind them remains relatively dark.
Famous for a Space Odyssey, Kubrick's composer is well-known for creating epic scores and music which sets the scene. With an 80s-type synth in the background and deep timpani drums, the mood is dark and overbearing; creating tension and suspense throughout the audience, and highlights the silence in the room and lack of speech from any character. This 'silence' is soon broken by Alex, who narrates non-diegetically about what is happening, and sets the scene for a confused audience.
Film Trailers vs Film Openings
Fantasia-1940, is one of Walt
Disney's most treasured movies to date. Fantasia is
a 1940 American animated film produced by Walt
Disney and released by Walt Disney Productions.
With story direction by Joe Grant and Dick
Huemer, and production supervision by Ben
Sharpsteen, it is the third feature in the Disney
animated features canon. The film consists of eight animated
segments set to pieces of classical music conducted by Leopold
Stokowski, seven of which are performed by the Philadelphia
Orchestra.
Film trailers and film openings do differ in some
ways, As a film trailer showcases the best moments in a movie, to convince
appropriate audiences to see their movie; A film opening is generally the
beginning of the film, most likely to be an expositional scene (or scenes).
The trailer:
*Trailers or previews are advertisments that traditionally followed the end of a Feature film, but this idea didn't last long, as people would leave before they've seen the trailer. Since then, the trailers are shown before a movie begins.
*Up until the 1950s, trailers were created by the National Screen Service, consisting of various key scenes from the film, coupled with large, descriptive text (this would usually describe the story). This often came with narration and was in circle until the 1960s, where textless trailers were becoming more popular.
*In the Fantasia Trailer, the most exciting, eyecatching scene have been chosen to showcase and convince viewers to watch the film. The first Fantasia film was made in 1948, therefore includes the large text and narration, which may seem old fashioned to 21st century viewers today.
*Trailers today are limited to 2 minutes 30 seconds at the maximum, Each studio or distributor is allowed to go over this limit once per annum.
*Since the purpose of the trailer is to attract an audience to the film, these clips are usually drawn from the most exciting, funny, or important parts of the film, however in a restricted manner and usually without producing ‘spoilers’.
* Some trailers use "special shoot" footage. This is material that has been created specifically for advertising purposes and does not appear in the actual film.The most notable film to use this technique was Terminator 2: Judgment Day, whose trailer featured elaborate special effects scenes that were never intended to be in the film itself
* Most trailers have a three-act structure similar to a feature-length film. They start with a beginning (act 1) that lays out the premise of the story. The middle (act 2) drives the story further and usually ends with a dramatic climax. Act 3 usually features a strong piece of "signature music" (either a recognizable song or a powerful, sweeping orchestral piece).
The opening:
Napoleon Dynamite is a comedy about a socially-awkward 16-year old teen from Preston, Idaho, and his journey to helping his friend Pedro win the role of Class President, as he deals with his bizarre family life back home. Originally, Jon Heder (who plays the protagonist) acted for a contract of only $1000, and re-negotiated after the film's unsuspected box office success. Having a budget of only $400,000 the film raked in a Box Office grossing of $46.2 million. Below is one of the most famous scenes from the film, of Napoleon himself dancing to bring in votes for Pedro:
The film starts off with the usual opening company logos; FOX Searchlight, MTV Films, and then a rating screen stating that the movie is PG.
The title sequence itself is what many people love about Napoleon Dynamite, and is what many consider to be one of the most iconic film opening credits which inspired many of the same genre after. The names and credits are all written on food plates - yes, they're written on meals using sauces and garnish for the actual text.
This simple yet effective technique keeps the audience awake with varying uses of colour between the straight-cut shots of the meals, and the simple overhead camera angle which remains the same throughout, allowing the effect of smooth transitions even though it's far more simple in reality.
The meals soon turn into ordinary school lunches and objects one may find in a typical high school, such as library cards and ID. This in turn sets the scene for the movie which is based around an ordinary teen's life and angst of school.
The title sequence itself is what many people love about Napoleon Dynamite, and is what many consider to be one of the most iconic film opening credits which inspired many of the same genre after. The names and credits are all written on food plates - yes, they're written on meals using sauces and garnish for the actual text.
This simple yet effective technique keeps the audience awake with varying uses of colour between the straight-cut shots of the meals, and the simple overhead camera angle which remains the same throughout, allowing the effect of smooth transitions even though it's far more simple in reality.
The meals soon turn into ordinary school lunches and objects one may find in a typical high school, such as library cards and ID. This in turn sets the scene for the movie which is based around an ordinary teen's life and angst of school.
Overall, the opening to Napoleon Dynamite is extremely simple to the point of genius. It is unique and wildly referenced to, and shows that sometimes less really is more.
- Virginia
About Us
This blog is run by the two of us (Virginia and Shanette) to showcase out media coursework in the making of out final film. To see our individual work, locate the Filter section of the menu above.
Popular Posts
-
Horror movies often utilise colour symbolism (though not very apparent) for a variety of reasons. Whether it's for mise-en-scene or simp...
-
Make Up and Costumes in Film Johnny Depp as Edward Scissorhands. All the marks on his face are done by professional make-up artists wi...
-
The Conventions of the Horror Genre History of Horror Horror is an ancient art form which has existed since the ancient s...
Contact
Email us at: vasqmedia@gmail.com
Tags List
action
audience
cannibalism
colour
comedy
costume
costumes
crime
deconstruction
diegetic
film
gothic
horror
ideas
lighting
locations
makeup
mask
non-diegetic
opening
plots
post-production
practice
pre-production
preliminary
production
props
question 1
question 10
question 11
question 12
question 13
question 14
question 2
question 3
question 4
question 5
question 6
question 7
question 8
question 9
re-film
research
sci-fi
shanette
slasher
sound
storyboard
survey
thriller
titles
trailer
virginia
work
Recommended Video
Powered by Blogger.













