Age Ratings
Why do we have age ratings?
Age ratings are used by the BBFC to classify movies into categories according to age. They decide which age group should be watching what movie.
U- Universal
The U rating means that the movie has been classified "Suitable for All", meaning that any person from 4 years can see it, although parents can determine what their child sees. There will be minimal violence, if any, minimal bad language, no reference to drugs or discriminatory content unless its strongly condemned. The movies passed at this rating are normally aimed towards children anyways.
PG- Parental Guidence
The PG rating means that movies are suitable for viewing, but may be unsuitable for younger viewers. Children over the age of 8 will generally not be upset by some scenes. There will be mild violence scenes, infrequent bad language and minimal reference to drugs and/ or sex, Although parents can determine what their child sees
12/12A- Twelve years and over
The 12/12A rating means that no-one under 12 years can view this movie. If a movie is rated 12A, children younger than 12 must be accompanied by an adult 18 years or over. Accompanied viewing cannot be enforced in the home for example, so the DVD release has a rating of 12. Some 12A rated films tackle darker subjects, although it's important to note the overall tone of the film. Moderate violence is allowed at 12A, however it shouldn't dwell too much on detail, otherwise the film will be passed at a higher rating. Moderate language is allowed, often in puns, and some sexual scenes may be briefly portrayed, but will only be suitable for younger teenagers. Some moderate horror films can be passed at 12A, as long as moderate psychological or physical threat is not to frequent
15- Fifteen years and over
The 15 rating means that no-one under 15 may see or buy a 15 rated film 15 rated films aren't suitable for anyone under 15 years. No themes are prohibited, provided that it's suitable for 15 year olds. There will e strong language, strong references to sex, discriminatory language, strong violence, and drug taking, and generally no upper limit as to what can be explored. Most horror films will be passed at 15, however, there won't be prolonged or aggressive scenes or sexual threat, as that usually falls into the 18 rating.18- Eighteen and over
The 18 rating means that this movie is for adults. No-one under the age of 18 may see or buy 18 rated films. No 18 rated films are suitable for children. They will contain strong issues, and there will be very strong violence, scenes of sexual violence, strong horror, strong blood and gore, discriminatory language and very strong language. Only the mos extreme horror films are passed here, with prolonged and sustained horror scenes of blood and gore and physical threat, as there's no upper limit.
Based on our own research, we assumed that our film opening may be rated 15, as it does contain blood and gore. We also conducted- a survey as to what others would rate our film opening and why, you can view it here:
https://www.surveymonkey.co.uk/r/JQCMKVW
Cannibalism is a controversial subject for many (luckily, or unluckily rather, I am not one of those people), and can strike up a lot of opinion, and believe it or not, stereotypes surrounding the act itself or those who practice it.
The 'cannibal movie' genre has died out over the years after the 'Cannibal Boom' of the late 1970s and early 80s; especially since Cannibal Holocaust (1980). In recent years, Eli Roth revived the boom with the Green Inferno (2013).
Roth even commented that after showing Cannibal Holocaust to the Amazonian tribe he worked with, they found it "hilariously funny".
The type of cannibalism I wanted to portray in our opening was the modern image of cannibalism - the type not shrouded in savage-like behaviour stereotypically given to native tribes.
Detractors and critics of Cannibal Holocaust would agree that due to its acts of animal cruelty (yes, animals were really killed - most notable, a monkey was beheaded), excessive gore and obscenity, and stereotypical portrayal of an indigenous group (as savage cannibals), the movie is inappropriate in all senses. Director Ruggero Deodato was even charged with obscenity crimes under the impression that his found-footage themed film was in fact a snuff.
I looked to a favourite movie of mine - Hannibal (though primarily the t.v. series of NBC's Hannibal) to gain inspiration for our film opening; what the killer would look like and how he would behave primarily - as well as the general mood of the film.
Silence of the Lambs (1991), as well as other Hannibal films and the original books, were the inspiration to Bryan Fuller's own take on Hannibal (NBC) - most recently adapting the Red Dragon arc for the show's third and last season before it was cancelled.
Though the show regrettable lacked the ratings it needed to continue airing, fans worked to trend the hashtag 'savehannibal' to reach out to the show's creator and actors - who all loved working on the show - to bring back another season. Though nothing was done immediately, Fuller says he does really want to create another season - further exploring Will and Hannibal's 'new-found love', though it would be after a few years, simply for that drama factor or resurrecting a story where it last left off.
A lot of similarities can be found between our opening and Hannibal; from the costume to cooking, though I wanted to give our opening more of a shocking pretense, which is why I favoured more evident killing than the subtleties found in the beginning of Hannibal.
What I favoured most abut Hannibal was the use of music - though the music is obscure at times, it is even more so simply by the fact that it isn't meant to be - one would never imagine a blissful scene of Hannibal fine-dining to the sequence of Bach's Aria to (in reality) be a blissful scene of Dr. Lecter fine-dining on human meat, simply because the music tells us otherwise.
The 'cannibal movie' genre has died out over the years after the 'Cannibal Boom' of the late 1970s and early 80s; especially since Cannibal Holocaust (1980). In recent years, Eli Roth revived the boom with the Green Inferno (2013).
Roth even commented that after showing Cannibal Holocaust to the Amazonian tribe he worked with, they found it "hilariously funny".
The type of cannibalism I wanted to portray in our opening was the modern image of cannibalism - the type not shrouded in savage-like behaviour stereotypically given to native tribes.
Detractors and critics of Cannibal Holocaust would agree that due to its acts of animal cruelty (yes, animals were really killed - most notable, a monkey was beheaded), excessive gore and obscenity, and stereotypical portrayal of an indigenous group (as savage cannibals), the movie is inappropriate in all senses. Director Ruggero Deodato was even charged with obscenity crimes under the impression that his found-footage themed film was in fact a snuff.
I looked to a favourite movie of mine - Hannibal (though primarily the t.v. series of NBC's Hannibal) to gain inspiration for our film opening; what the killer would look like and how he would behave primarily - as well as the general mood of the film.
Silence of the Lambs (1991), as well as other Hannibal films and the original books, were the inspiration to Bryan Fuller's own take on Hannibal (NBC) - most recently adapting the Red Dragon arc for the show's third and last season before it was cancelled.
Though the show regrettable lacked the ratings it needed to continue airing, fans worked to trend the hashtag 'savehannibal' to reach out to the show's creator and actors - who all loved working on the show - to bring back another season. Though nothing was done immediately, Fuller says he does really want to create another season - further exploring Will and Hannibal's 'new-found love', though it would be after a few years, simply for that drama factor or resurrecting a story where it last left off.
A lot of similarities can be found between our opening and Hannibal; from the costume to cooking, though I wanted to give our opening more of a shocking pretense, which is why I favoured more evident killing than the subtleties found in the beginning of Hannibal.
What I favoured most abut Hannibal was the use of music - though the music is obscure at times, it is even more so simply by the fact that it isn't meant to be - one would never imagine a blissful scene of Hannibal fine-dining to the sequence of Bach's Aria to (in reality) be a blissful scene of Dr. Lecter fine-dining on human meat, simply because the music tells us otherwise.
As discussed in my character profile of the killer, his cleanliness and behaviour are inspired by the likes of Dr. Hannibal Lecter; the white shirt being a symbol of this cleanliness. Though I did not directly observe, compare, and take things specifically from Hannibal (I had a feel of the show and wanted to reflect that in our work), I found that watching it after (for the first time again since the last season ended), there were more similarities than I had expected; including the deep blue hue (though found in many horrors/thrillers), and the preparation of a heart, which was completely coincidental.
For comparison, I've placed our opening clip beside some shots from NBC's Hannibal, which paints a better picture of the similarities.
We made a second survey to gather public opinion on our finished piece; the survey can be found here.
Filming day 4
Filming Day 2 and 3
We shot this scene twice from 2 different angles, a high angle close up from the left and right, in order to avoid a continuity error with the rest of the film opening. |
The Making of The Prop Head
This is the finished head prop. :) |
About Us
This blog is run by the two of us (Virginia and Shanette) to showcase out media coursework in the making of out final film. To see our individual work, locate the Filter section of the menu above.
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